Having completed our work in Lucknow on Tuesday we had all of Wednesday to do whatever we wanted. Our plane back to Pune was not leaving until late on Wednesday. There were a few things we wanted to do, some boxes to check off: there was the sightseeing box, a shopping box and a food box.
For the sightseeing we chose to go to a Mughal complex, the Bara Imambara It is an impressive complex of poorly maintained buildings. It is monumental and elaborate. We dawdled for a while in the outer courtyard because my friends felt that me having to pay ten times as much as them to enter was exorbitant. I didnt mind, I am used to paying a lot more than locals. I think it is fair to charge foreign tourists more.
I cut the knot of indecision by saying I wanted to see this Labyrinth that was part of the structure. We learned later from our guide that the labyrinth was not intentionally made as a labyrinth but rather a construction side effect.
First, we had to take our shoes off to get inside the building where tickets were sold. It was cold, overcast and the stone floors were hard on our feet, and by extension, all the other lower body parts attached to my feet.
A short stocky men approached is and began to guide us, without asking if we even wanted him, but it was good as he told us things we couldn’t have guessed. The ground floor has three giant and very high-ceilinged halls: the Chinese Hall, the Persian Hall and the Indian Hall. Each had a different decoration on the ceiling, geometric three-dimensional designs that, according to our guide, represented Chinese plates in the Chinese Hall, something else in the Persian Hall (the biggest of the three) and a melon in the Indian Hall. The now black and white decorations were at some time gold and silver but, according to our guide, ‘the Britishers’ had taken all that away.
Small openings high below the ceiling betrayed that there were people up there, and thus ways to get there. Those were openings along some of the labyrinthian corridors in back of the walls. If I had known how many steps up and down on cold hard floors we’d have to navigate I would probably not have entered. By the time I realized this it was too late, and we were high up ducking our heads, going up small steps, around corners, and down, occasionally passing the openings we had seen from below. These openings were large enough for an adult to get through and tumble down 5 stories – no barriers to hold anyone back. By the time we got down I needed a hot bath and a massage – but then there was more, our guide insisted, and we saw more extraordinary architectural features that allowed those on the inside to spy on those outside, unnoticed; and more steps up and down but now with our shoes on.
Outside the entire complex were lots of auto- and horse-drawn rickshaws to take tourists to ‘chickan’ factories – this is a special kind of embroidery made on men’s and women’s clothing for which Lucknow is famous. An unhappy looking horse took us up to one of these production places where an equally unhappy looking woman showed us how she did the embroidery. We did the thing the Dutch are famous for, of ‘kijken, niet kopen’ (looking, not buying).
The driver took us along a few more Mughal buildings, among them the Darwaza Rumi, two enormous gateways on both sides of a long avenue. By now our guide was gone and what there was to know had to be obtained from the internet. There were many more buildings with intricate architectural flourishes. These building too were unhappy looking, taken over by squatters and vegetation.

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